Showing posts with label African History. Show all posts
Showing posts with label African History. Show all posts

Monday, June 10, 2019

Hidden Colors 5 in Norfolk, Virginia (#HamptonRoads #CoastalVirginia)

Hidden Colors 5
Hampton Roads Screening
8/1/2019 at 8 PM at The Naro Cinema, Norfolk VA
Produced by The Conscious Kollective
 
Hidden Colors 5 is the final installment of the critically acclaimed Hidden Colors film series. Hidden Colors 5: The Art of Black Warfare is the fifth installment of the critically acclaimed documentary series that teaches about the untold history of people of color and showcase leading scholars and historians discussing topics such as:  *The History of African Military Science - *Ancient African Martial Arts - *Omitted History - *Biological Warfare Against Melanated People - *The Truth About Vaccinations, and Engineered Foods - *Solutions to these issues - And so much more.

Official Website:  https://hiddencolorsfilm.com/

$15 - $20 Cash-only Tickets:
Bookstore in Military Circle Mall (757) 455-5535
Positive Vibes Bookstore (757) 523-1399

$15 - $20 Tickets online on Eventbrite:

Limited $25 Day of Tickets at the Ticket Booth

For more details contact: WhereBlackBiz@gmail.com or call Positive Vibes Afrikan Litterature: 757-523-1399.
 
#HiddenColors #HiddenColors5 #Melanoid #MelanoidNation
#Chesapeake #Hampton #NewportNews #Norfolk #Portsmouth #Suffolk #VirginaBeach 
#ChesapeakeVirginia #HamptonVirginia #NewportNewsVirginia #NorfolkVirginia #PortsmouthVirginia #SuffolkVirginia #VirginaBeachVirginia #CoastalVirginia #CoastalVa #HamptonRoads #HamptonRoadsVa #HamptonRoadsVirginia #TwoUpTwoDown #2Up2Down  

Sunday, December 23, 2018

Free 757 Kwanzaa Events for 2018

Free 757 Kwanzaa Events for 2018

Harambe for the Holidays Stage Play
Wed, Dec 26
1:00 PM - 3:00 PM &  6:00 PM – 8:00 PM
The Kroc Center Hampton Roads,
1401 Ballentine Blvd, Norfolk, VA 23504, USA

     ++++++++
Dec 27, Thursday, 2-4pm
The Sophisticated Ladies
100 Stillwell Rd, Hampton
Dr. Jeter Giles, 757-287-7453

     ++++++++
Dec. 27, Thursday, 7-9pm
The SANKOFA Collective
Montego Island Grill,
829 Lynnhaven Parkway,
Virginia Beach, Virginia
     ++++++++

Dec 28, Friday, 2-4pm
The Sophisticated Ladies
100 Stillwell Rd, Hampton
Dr. Jeter Giles, 757-287-7453

     ++++++++
Dec 29, Sat, 2-4pm
The Sophisticated Ladies
100 Stillwell Rd, Hampton
Dr. Jeter Giles, 757-287-7453

     ++++++++

Dec. 30, Sunday 2-6pm
NIA Fest 2018
A Positive Vibes Kwanzaa
Kids, Family, & Adult Fun
Military Circle Mall,
Norfolk, Virginia
     Contact Cindy (757) 359-2978
2:00 Opening
2:05 Line Dancing Party
2:55 Brandon Pope Talk
3:00 Intense Fiyaaaaa Party
3:15 Che Che Cule
         Candle Lighting Ceremony
         Poet Ashley McBride
         1st Lynnhaven Youth 
3:30 Turquoise's Dance
3:45 Kenick El Talk
3:50 Va. Beach Goju
4:00 Fashion Show
5:00 Che Che Cule
       YLYM Talk
       Candle Lighting
       Songstress Ashley McBride
       Poet Koncrete Rose
5:30 Family Party
6:00 Closing

     ++++++++

Dec. 30, Sunday 3-5pm
Kwanzaa Celebration
2432 Ingleside Road
Norfolk, Virginia
Diana Chappell (757) 353-3358

     ++++++++
Jan 1, 2019, Tuesday, 2-4pm
Location TBA
Food/drink will be served
Door prizes will be given!
Dr. Jeter Giles, 757-287-7453

https://blackimprovement.blogspot.com/2018/12/free-757-kwanzaa-events-for-2018.html

Saturday, January 6, 2018

( #Moors & #WhiteGold ) When #Blacks enslaved #Whites - The Story of Thomas Pellow and One Million White Slaves

Whites slaves tell their own story in their own words about how they were shanghaied and taken back to North Africa as slaves. Over 2 million whites are reported to have been taken as slaves after being shanghaied by Moors known as Barbary Coast pirates or Riff Pirates or Barbary Corsairs.

Descendants of white slaves in Mauritania

has been purposely kept from you. We will discuss the over two million white people who were taken back to various parts of North Africa as slaves to their Muslim black Moorish, Arab masters. The majority were captured by Barbary pirates also known as Barbary Corsairs and Riff pirates. We also discuss a famous statue called "The Four Moors" which depicts King Ferdinand de' Medecini standing over four shackled 'Moors" (black of course) in celebration over his eventual victory over the black corsairs who'd terrorized the coastal areas on their pirate raids. It's a historical fact that over 2000 ships were captured and shanghaied and the white passengers were taken to Morocco and other parts of North Africa as slaves.

The flag of Sardinia, called the flag of the Four Moors or simply the Four Moors (ItalianI quattro moriSardinianSos bator moros in Logudorese or Is cuatru morus in Campidanese), is the official flag of the autonomous region of SardiniaItaly, and the historical flag and coat of arms of the Kingdom of Sardinia, described as a "white field with a red cross and a bandaged Moor's head facing away from the left (the edge close to the mast) in each quarter" (Regional Law 15 April 1999, n. 10, Article 1.)[1]
The flag is composed of the St George's Cross and four heads of Moors, which in the past were not forehead bandaged but blindfolded and turned towards the left. The most accepted hypothesis is that the heads represented the heads of Moorish princes defeated by the Aragonese, as for the first time they appeared in the 13th century seals of the Crown of Aragon – although with a beard and no bandage, contrary to the Moors of the Sardinian flag, which appeared for the first time in a manuscript of the second half of the 14th century.

"From the sixteenth to nineteenth century, the Muslim Barbary Pirates captured over a million Europeans at sea and through raiding parties along the Mediterranean and Atlantic coastlines. The victims were then transported back to North Africa, where they were sold as slaves or sent further east into the Ottoman Empire’s heartland."

https://ostarapublications.com/product/the-adventures-of-thomas-pellow-of-penryn-mariner-three-and-twenty-years-in-captivity-among-the-moors/ 

"Attractive European women were sent to the sultan's harem, and the strongest men to breeding farms to mate with black Senegalese slaves, Ismail believing that mulattos made the most trustworthy workers. One Frenchman was locked up, naked, for six days with a bottle of brandy and four women, a eunuch keeping watch; whenever sexual activity flagged, he ordered a drum serenade." - Giles Milton

http://www.telegraph.co.uk/culture/books/3619651/The-depraved-sultan-and-his-forgotten-white-slaves.html

One October evening in 1738, the population of Penryn abandoned their village to welcome home a man with a great long beard and sun-blackened face. Not even his parents recognised Thomas Pellow, who had been seized by Barbary corsairs when he was 11 and taken to Morocco, where he spent 23 years as a slave of Mulay Ismail, a sultan of story-book depravity.
Pellow's adventures, ghosted by a local hack in 1740, are the catalyst for Giles Milton's rattling account of the forgotten white slaves of North Africa: an estimated one million Europeans and Americans captured between 1550 and 1816 when Algiers, the hub of this traffic, was bombarded into submission by a relative of Pellow.
Go to the Rif or the Atlas and you will find grey-eyed men and women, the descendants of 400 Icelanders abducted by pirates sailing from another slave capital, the Moroccan port of Salé. In their swift xebecs, the "Sallee Rovers" kidnapped thousands of English, mainly from the West Country. Between 1609 and 1625, they took 466 English ships, raised the Islamic flag on Lundy and, in one spectacular raid, dragged 60 men, women and children from St Michael's Mount.
The corsairs were like English football supporters: "ugly onhumayne creatures" wrote one survivor, who "with their heads shaved and their armes almost naked did terrifye me exceedingly".
Attractive European women were sent to the sultan's harem, and the strongest men to breeding farms to mate with black Senegalese slaves, Ismail believing that mulattos made the most trustworthy workers. One Frenchman was locked up, naked, for six days with a bottle of brandy and four women, a eunuch keeping watch; whenever sexual activity flagged, he ordered a drum serenade.

The Monument of the Four Moors (ItalianMonumento dei Quattro mori) is located in Livorno, Italy. It was completed in 1626 to commemorate the victories of Ferdinand I of Tuscany over the Ottomans.[1]
It is the most famous monument of Livorno and is located in Piazza Micheli.[2] Created by Pietro Tacca, the monument took its name from the four bronze statues of "Moorish" slaves that are found at the base of an earlier work consisting of the statue of Ferdinando I and its monumental pedestal.[2]

In 1617, Cosimo II contracted sculptor Pietro Tacca to create the monument to commemorate his father, Ferdinando I. The completed monument was installed in Livorno in 1626.[1] It features four bronze statues of enslaved prisoners chained at the base of a statue of Ferdinando I which had been commissioned at an earlier date.[1] The physical characteristics of three of the statues represent people of the southern Mediterranean coast while the fourth statue has characteristics of a black African.[1]
Although the four chained prisoners are meant to represent the victories of Ferdinando I over the Ottomans, there may also be a different interpretation due to the presence of the statue with the black African characteristics; Ferdinando II, grandson of Ferdinando I, completed the monument and he may also have been involved in slave trade activities in West Africa in the 1660s, in cooperation with the Genoans.[1]
The four Moors symbolise the four corners of the world.[3] Tacca's design of the Moors monument is assumed to have been influenced by three columns in the shape of African men supporting a balcony in Via Carriona in Carrara. The three sculptures are depicted as suffering from the weight they bear supporting the iron structure.[3]
The monument of the four Moors influenced sculptural design for several decades. A fountain in Marino features four statues of similarly chained prisoners, two of whom possess black African characteristics. The structure was constructed between 1632–1642 to commemorate Marcantonio Colonna's participation in the battle of Lepanto in 1571 which led to the defeat of the Ottomans.[1]
The monument of the four Moors also influenced Bernini's creation of the Fountain of the Four Rivers (Fontana dei Quattro Fiumi). Bernini may have also been influenced by the Marino monument in his design of the Fountain.[1]
The ostentatious design of the tomb of Doge Giovanni Pesaro, which was built in 1669 in Venice, and is found in Santa Maria Gloriosa dei Frari close to the Pesaro Altarpiece, was perhaps strongly influenced by Tacca's monument of the four Moors.[4]






Friday, January 5, 2018

Black origins of Santa Claus. The modern character Santa Claus is based on a Blackamoor saint. #SantaClaus #BlackSanta

Now that we can think straight after all of that holiday & holy day spending........


The original St. Nick was a brother, a Moor, a Melanoid....a person of African descent........
Unwrapping the Myths & Origins Surrounding Santa Claus

That jolly old elf gracing the masthead of books, magazines, cards, toys, advertisement media in Western culture looks nothing like the historical Saint Nicholas, the bishop of Myra whose life first gave impetus to the myth we have today. 

We know very little about Bishop Nicholas, other that he was possibly a East African Ethiopian Coptic Christian Bishop in the Orthodox Coptic Christian Church in Turkey, according to church tradition, Nicholas traveled extensively in the regions of Myra (present-day Turkey). Regions also of Ethiopia, Egypt, Greece, and Syria. Also he traveled into other parts of Northeastern Africa, under the rule of Christian Rome. Save for the church myths and legends that grew up after his death in 350 CE. We're not even sure if there was a real 
St. Nicholas. However, paintings of Saint Nicholas demonstrate his dark hue, curly afro'ed hairstyle, and negro features. The History Channel's Christmas expose on the origins of Christmas named "Unwrapping Christmas" showed pictures of this Black-looking Saint Nicholas.


In the book The Woman's Encyclopedia of Myths and Secrets (Harper San Francisco, 1983) that Bishop Nicholas was a Christianized fiction who replaced the pagan gods Artemis and Poseidon. Given the stories told about him by the early Church, this might very well be the case. Nicholas was said to have calmed violent storms, cured diseases, and resurrected the dead.

Bishop Nicholas earned a reputation for being extraordinarily kind to 
children. Other myths and legends told the story of how he gave an 
impoverished father gold coins to prevent him from selling his three 
young daughters into, slavery. Various versions of the legend suggest 
that Bishop Nicholas tossed the coins into an open window while 
another variation says that he threw them down the chimney to 
preserve his anonymity.

Imprisoned as a martyr sometime during Emperor Diocletian's rule, he 
was later released when Emperor Constantine instituted the new 
paradigm of tolerance toward Christians. Bishop Nicholas assigned by 
Constantine, was one of the first African Christian Bishops, who 
participated in the Council of Nicaea (325 CE) and helped to craft 
the creed that confessed the mythical historical Jesus as a divine 
god. Little did Nicholas realize at the time that he was himself to 
become immortal alongside Jesus as well.

An anonymous 11th century medieval manuscript The Translation of 
Saint Nicholas, tells a tale of legend how the church in Bari, Italy 
decided to send a ship to Myra to exhume the relics and bones of 
Saint Nicholas for re-deposition in their city. After meeting initial 
fierce resistance from Coptic guardian monks, one of the monks tells 
the others that he experienced a vision from the Saint in which the 
Saint assents to the relocation. 

After the tale, the monks allowed the sailors to take the Saint's 
remains. Thus, the remains of Nicholas (or probably some unknown 
crusader) were brought back from Myra in 1087 and installed in the 
church at Bari. 

The story also tells of the epiphany of a sea gull whose appearance 
from heaven blessed the ship carrying the Saint's remains, thus 
signifying divine approval of the enterprise. Once interned at Bari, 
and after several visions, appearances, and healings among the 
people, Saint Nicholas become known as the protector of children and 
widows. What this fanciful tale omits, however, is that Nicholas's 
cult replaced an older goddess cult in Bari after Befana (Pasqua 
Epiphany) or "The Grandmother." described as "a female baboon-giving 
deity"(symbology created in Egyptian religion), that "used to fill 
the children's stockings with her gifts." The cult that spread 
rapidly around Nicholas/Befana culminated in a pageant on December 
6th of every year. Drawing upon the stories of his kindness to 
children and the giving of gold coins, followers gave each other 
gifts in honor of the Saint.

The Church eventually moved the pageant of Saint Nicholas to the winter solstice (the final day of the ancient Roman Saturnalia festival, now December 25th) to merge it with the celebration of Christ's birth. Before it became attached to Christ's birth, December 25th was the Mithraic winter-solstice festival called Dies Natalis Solis Invictus, Birthday of the Unconquered Sun. 

Mithras was known as the Light of the World, Sun of Righteousness, 
and Savior. The divine child (symbology the Sun disk, ancient 
Egyptian religion, sun rising "Heru") was celebrated on the winter 
solstice, the darkest days of winter where the sun's rebirth (rising 
sun in the East - resurrection) would lead to longer days and spring.

Nicholas's cult was gradually combined with German and Celtic pagan 
Yule rites to produce a Christianized "Father Christmas," a somber 
figure closer to the twinkling elf we know today. Father Christmas 
was traditionally old, bearded, wore a thick coat of furs, and rode a 
white horse. Pagan celebrants lighted candles in trees and decorated 
their homes with ivy, pine, and holly. Mummer's danced and small 
troupes traveled from house to house singing (traditional tribal 
songs) carols. 

The Yule ritual of dragging a log (Christmas Tree) through the 
streets by domesticated reindeer represented the phallus (penis), and 
invokes fertility magic associated with the cult of Frey. When pagans 
were Christianized by the Church, Frey would be changed to Kris 
Kringle, ("Christ of the Orb"), i.e., the reborn divine child of 
earlier Mithras cult.

Americans will come to see Father Christmas as riding a reindeer, 
which magically flies. In the nineteenth-century, Saint Nicholas 
rides a sleigh pulled by a team of reindeers. Now Santa Claus, that 
jolly old man with a pipe, is now transformed and immortal. He lives 
at the North Pole among elves and continues to respond to greedy 
little urchins all over the world on Christmas Eve.

To this day Saint Nicholas's cult competes alongside Christ on the same holiday in a strange mixture of commercialization, paganism, excess and holy reverence. This has led some Christians in recent years to proclaim the slogan; "Jesus is the reason for the season." 

However, the prior enduring history of Santa Claus, Mithras, Yule, 
and The Grandmother, Unconquered Sun Mithraic winter-solstice 
festival, prove that this slogan is quite incorrect. Jesus has been 
clumsily papered on top of deeper rituals and the fact that these 
rituals cannot be contained and often overshadows the Christians 
reveal the tremendous power that these older myths still possess.

Web Posted 1997
By Azikewe' Kamarif
african.net/html
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
This is a centuries old painting of Saint Nicholas in a museum in Italy. The modern character Santa Claus is based on this Blackamoor saint. Learn more about St. Nicolas from the Hidden Colors film series.
http://www.hiddencolorsfilm.com/
 
Carricutures of St. Nicholas:
1. http://www.stnicholascenter.org/Brix?pageID=40

2. http://www.domestic-
church.com/CONTENT.DCC/19981101/SAINTS/nicholas.htm 


Saint Nick was the Bishop of Myra in Lycia; died 6 December, 345 or 352. Though he is  one of the most popular saints in the Greek as well as the Latin  Church, there is scarcely anything historically certain about him  except that he was Bishop of Myra in the fourth century. 

Some of the main points in his legend are as follows: He was born at  Parara, a city of Lycia in Asia Minor; in his youth he made a pilgrimage to Egypt and Palestine; shortly after his return he became Bishop of Myra; cast into prison during the persecution of Diocletian, he was released after the accession of Constantine, and was present at the Council of Nicaea. In 1087 Italian merchants stole his body at Myra, bringing it to Bari in Italy. 

The numerous miracles St. Nicholas is said to have wrought, both 
before and after his death, are outgrowths of a long tradition. There 
is reason to doubt his presence at Nicaea, since his name is not 
mentioned in any of the old lists of bishops that attended this 
council. His cult in the Greek Church is old and especially popular 
in Russia. As early as the sixth century Emperor Justinian I built a 
church in his honour at Constantinople, and his name occurs in the 
liturgy ascribed to St. Chrysostom. In Italy his cult seems to have 
begun with the translation of his relics to Bari, but in Germany it 
began already under Otto II, probably because his wife Theophano was 
a Grecian. Bishop Reginald of Eichstaedt (d. 991) is known to have 
written a metric, "Vita S. Nicholai." The course of centuries has not 
lessened his popularity. The following places honour him as patron: 
Greece, Russia, the Kingdom of Naples, Sicily, Lorraine, the Diocese 
of Liège; many cities in Italy, Germany, Austria, and Belgium; Campen 
in the Netherlands; Corfu in Greece; Freiburg in Switzerland; and 
Moscow in Russia. He is patron of mariners, merchants, bakers, 
travellers, children, etc. His representations in art are as various 
as his alleged miracles. In Germany, Switzerland, and the 
Netherlands, they have the custom of making him the secret purveyor 
of gifts to children on 6 December, the day on which the Church 
celebrates his feast; in the United States and some other countries 
St. Nicholas has become identified with Santa Claus who distributes 
gifts to children on Christmas eve. His relics are still preserved in 
the church of San Nicola in Bari; up to the present day an oily 
substance, known as Manna di S. Nicola, which is highly valued for 
its medicinal powers, is said to flow from them. 
http://www.newadvent.org/cathen/11063b.htm

Monday, September 8, 2014

Betty Boop was a Black Woman


BETTY BOOP - Origin


Ms. ESTHER JONES, known by her stage name, "Baby Esther," was an " African-American singer and entertainer of the late 1920s. She performed regularly at the (The Cotton Club) in Harlem.

Singer Helen Kane saw her act in 1928 and (COPIED or stole ). Ms Jones' 'baby' Singing Style! > for a recording of "I Wanna Be Loved By You."

Ms. Jones' singing style went on to become the inspiration for (( Max Fleischer )) cartoon character's Voice and SINGING style of BETTY BOOP, was YES a Black Woman.
Her singing trademark Was.. "boop oop a doop ".. In a baby voice at the cotton club in Harlem. -

Esther Jones who's stage name was "Baby Esther" was a popular entertainer at Harlem's Cotton Club in the late 1920s. Baby Esther interpolated words such as 'Boo-Boo-Boo' & 'Doo-Doo-Doo' in songs at a cabaret.
Helen Kane SAW Baby's act in 1928 and (stole) Used it in her hit song I Wanna Be Loved By You.
An early test sound film was also discovered, which featured Baby Esther performing in this style, disproving Kane's claims. Baby Esther's manager also testified that Helen Kane had saw Baby Esther's cabaret act in 1928.


Supreme Court Judge Edward J. McGoldrick ruled: "The plaintiff has failed to sustain either cause of action by proof of sufficient probative force". In his opinion, the "baby" technique of singing did not originate with Kane.

$250,000 infringement lawsuit
Esther's manager also testified that , Helen Kane & her manager , saw Baby's act somewhere between 1928-1929.

Scholar Robert G.O' Meally said, Betty Boop The WHITE CARTOON herself had, as it were, a BLACK grandmother in her background.

Baby Esther was presumed dead by 1934, just when the lawsuit had ended.


http://www.bettyboopchecks.net/betty-boop-and-helen-kane/
I was just scrolling through my Facebook feed when I stopped on a woman who bore a striking resemblance to cartoon, Betty Boop. Although the photo was black and white, I could still tell that the women looked Black. After reading the caption, I found out that the women who inspired the sassy cartoon character was Black!
Rachel Stewart is reporting, Ms. Esther Jones is a singer who was known by her stage name, “Baby Esther.” She was an African-American entertainer in the late 1920s. Her singing style often included, “Boop oop a doop.” She performed regularly at the The Cotton Club in Harlem and that’s where fellow singer, Helen Kane saw her act and was inspired enough to take Esther’s baby singing style and called it her own and recorded, “I Wanna Be Loved By You.”

MUST READ: 1920s-Inspired Bridal Looks
After that, Max Fleischer created Betty Boop, a cartoon character who’s voice sounded a lot like Baby Esther’s and who’s named obviously borrowed from Esther’s signature, “Boop oop a doop.”
In 1932, Kane filed a lawsuit again Paramount Corporation for “exploiting her image.” After a two year legal struggle, Kane lost the case as Paramount was able to prove that Kane did not uniquely originate or have claim to the Betty Boop style of singing or look. Paramount proved this by showing Clara Bow (a Paramount Actress) also had the Betty Boop style of dress and hair.
Evidence was produced that Kane actually derived that singing style from watching Baby Esther perform at the Cotton Club several years before the creation of the Betty Boop character.
Supreme Court Judge Edward J. McGoldrick ruled: “The plaintiff has failed to sustain either cause of action by proof of sufficient probative force.” In his opinion, the “baby” technique of singing did not originate with Kane. Well, look at that! I wonder how many other Black stars have had their whole entire aesthetic taken by a White star who tried to make it their own?

RELATED STORIES:
Vintage Style: 15 Celebs Who’ve Dressed Like Past Fashion Icons
Supermodel Rose Cordero Channels Josephine Baker For Shoot
Fantasia, Dule Hill & More Take You To A Jazzy 1920s Harlem In New Musical, ‘After Midnight’

Sunday, February 2, 2014

Day 2 - The History of Black History




The American Negro must remake his past in order to make his future . . . History must restore what slavery took away. - Arthur Schomburg




Black History, as we currently know it, has it's main roots in four figures. Three men, one woman. Three were African-Americans (by today's standards), one was a Puerto Rican. Many others influenced these figures, yet we focus on these four. The Great Grandfather of Black History is W.E.B Dubois. The Grandfather of Black History is Arturo Schomberg. The Mother of Black History is Drusilla Houston, and the Father of Black History is Carter G. Woodson.
(Photo: W.E.B. Dubois)
Simply put in 1903 W.E.B. DuBois published a book named "The Souls of Black Folk." Dubois' book taught and inspired both the Puerto-Rican Arturo Schomberg, and the Woman-Journalist Drusilla Houston. The writing of Dubois, and the research of Schomberg taught and inspired Woodson, who created Negro History week with some assistance from members of Woodson's fraternity Omega Psi Phi and others who supported Woodson's activities. As a Pan-Hellenic side note, W.E.B. Dubois is a member of Alpha Phi Alpha, Arturo Schomberg is a member of Kappa Alpha Psi.
(Photo Arturo Alfonso Schomburg)
Woodson's later activities, most notably the initiation of Negro History Week, have inspired people of African descent worldwide to improve self-racial pride and laid the foundation for the United States of America to recognize February as Black History month. Houston's works have inspired many scholars, particularly scholars who have studied African and African-diaspora history, to further the scholarly work associated with Black History. Put very simply, Woodson's activities reached the common person and general cultural aptitude, while Houston's work reached the scholars.
It's interesting to note that the Mother and Father of Black History had some difficulties. Woodson dismissed Houston as a “historian without portfolio” and didn't consider her to be a serious historian. As Woodson introduced Negro History week in 1926, Houston published her groundbreaking burst on the historical literary scene with Volume I of her magnum opus "Wonderful Ethiopians of the Ancient Cushite Empire Book 1: Nations of the Cushite Empire, Marvelous Facts from Authentic Records". Daddy started Black History week, Mama provided the ancient information that supported Black History week. Thanks Mom & Dad !
(Photo: Drusilla Huston)
Drusilla Dunjee (later Houston) was born on January 20, 1876 in Harper's Ferry, West Virginia. Her parents were Rev. John William Dunjee and Lydia Taylor Dunjee. Houston was always fearful that her works would be lost and forgotten and that they would never reach the audience she desired, namely the children. To some extent she was correct. On February 11, 1941, Houston died in Arizona after years of illness from Tuberculosis. True to faith, her grave reads: “To Die is to Gain.”
Visit http://www.abwh.org/ddhouston.htm for more information on The Mother of Black History.
William Edward Burghardt Du Bois was born on February 23, 1868, in Great Barrington, at the southwestern edge of Massachusetts, to Alfred Du Bois and Mary Silvina Burghardt Du Bois. Du Bois was born and grew up in the overwhelmingly white town of Barrington, Massachusetts. Mary Silvina Burghardt's family was part of the very small, free black population of Great Barrington and had long owned land in the state. They descended from Dutch and African ancestors, including Tom, a West African-born man who served as a private for Captain John Spoor's company in 1780, a service which likely won him his freedom. According to Du Bois, several of his maternal ancestors were notably involved in regional history.
Alfred Du Bois, from Haiti, was of French Huguenot and African descent.
Schomburg was born in the (previously predominately "Black") town of Santurce, Puerto Rico (now part of San Juan) to María Josefa, a freeborn Black midwife from St. Croix, and Carlos Féderico Schomburg, a bi-racial merchant of German heritage. Schomburg was educated at San Juan's Instituto Popular, where he learned commercial printing, and at St. Thomas College in the Danish-ruled Virgin Islands, where he studied Negro Literature. During grade school one of his teachers claimed that blacks had no history, heroes or accomplishments; this patently false claim inspired Schomburg's life-long quest to find the truth and to document the accomplishments of African-Latinos, such as Jose Campeche and later of Afro-Americans.
Dr. Carter G. Woodson. Born to parents who were former slaves, he spent his childhood working in the Kentucky coal mines and enrolled in high school at age twenty. He graduated within two years and earned a Ph.D. from Harvard. The scholar was disturbed to find in his studies that history books largely ignored the black American population-and when blacks did figure into the picture, it was generally in ways that reflected the inferior social position they were assigned at the time. Woodson decided to take on the challenge of writing black Americans into the nation's history. He established the Association for the Study of Negro Life and History (now called the Association for the Study of Afro-American Life and History) in 1915, and a year later founded the widely respected Journal of Negro History. In 1926, he launched Negro History Week as an initiative to bring national attention to the contributions of black people throughout American history. Woodson chose the second week of February for Negro History Week because it marks the birthdays of two men who greatly influenced the Black American population, Frederick Douglass and Abraham Lincoln.